October 29, 2014
Despite all of these new breakthroughs in camera resolution technology, something significant has begun to take hold in the indie filmmaker scene. Indie filmmakers are coming to the realization that STORY is the one thing that holds the most value with their independent films.
September 10, 2014
One of the major assets that fuels a city's creative scene is its youth. Young people create identities in order to differentiate themselves from the previous generation. A new generation of filmmakers is doing just that here in El Paso, TX.
March 27, 2013
With DATAMARK's new art direction in place, the next step was animation. An animated scenario would illustrate how a business process outsourcing program would benefit a Fortune 500 company's workflow.
July 07, 2011
Well, its official. Our company has officially switched from Final Cut Studio 3 to Adobe Production Premium 5.5. I’ll state the obvious reasons in this blog post. I will also tell you why we didn’t choose AVID Media Composer along with why we aren’t even going to spend the $299 on Final Cut Imovie Pro X. But first, a little history.
July 07, 2009
Im sure everyone has had this argument with someone they know or work with. I’ve had this discussion/argument with a cinematographer who has both shot on film and on RED and still prefers 35mm over RED despite the long waiting period and higher costs of production.
May 06, 2009
My friend Phil Geotz from Texas Media Systems invited me to a small filmmaker get together where I met fellow Austin filmmakers Matt Iha and Rod Cole. We all got to speak with Scott A. Burch, one of the JVC district sales managers from Texas.